摘要
在中国当代学术思想史及全球化语境中,钱中文是新时期中国文艺学学科建设和发展的重要组织者、推动者,他在外国理论资源引进与研究、国内研究理论成果的出版与推广等方面作出了重要学术贡献。他倡导并践行在批判、对话中超越非此即彼的二元对立思维方式的综合创新的方法论,并在对巴赫金的研究中将其提升到人文科学方法论的交往对话主义的哲学人类学高度。由"审美意识形态"、"新理性精神"等一系列范畴构成的钱中文自成一体的文艺思想体系,在现实与理论等方面具有多重意义和价值。
In contemporary Chinese acadmic history and in the context of globalization, Qian Zhongwen is the organizer and promoter of Chinese literature theory in modern times in that he introduced in foreign theories and studies, publish related studies in China and publicize new ideas. He advanced a surpass over the dualism in criticism and dialogue, and raises it to the level of interactive dialogism in studying Bahkin. Concepts such as aesthetic ideology and neo-rational spirit form his own literary theory, which proves to be of great significance in both theory and practice.
出处
《新疆大学学报（哲学社会科学版）》
CSSCI
2011年第3期94-102,共9页
Journal of Xinjiang University(Philosophy and Social Sciences)
关键词
钱中文文艺思想
审美意识形态
新理性精神
交往对话主义
综合创新
Qian Zhongwen＇s Literary Ideas, Aesthetic Ideology, Neo-Rational Spirit, Interactive Dialogism, Synthesis, Innovation
