摘要
明本元杂剧剧本较之《元刊杂剧三十种》有很大的不同。造成这种不同的原因之一是明代人对元代人的杂剧剧本进行了改动,所以明本元杂剧剧本中有些地方呈现出明代独有的戏曲特点,归纳起来,主要有两方面:一是丑角角色的新增以及其他人物说白的戏谑化;二是情节改动后呈现出大团圆结局的强化。这两个特点的形成与明代地域文化与政治专制统治的加强有关联,因此在研究明本元杂剧时,要注意认清明本元杂剧中的明代戏曲特点,而不能将其看成是元杂剧的本来面貌。
Yuan zaju＇s Editions of the Ming Dynasty are very different from Thirty Kinds of Plays of the Yuan Dynasty,because of the adaptation of Yuan zaju in the Ming Dynasty.The differences reflect the characteristics of the opera in the Ming Dynasty,mainly including two faces： the banter of added clowns and others＇ dialogues,and the happy reunion ending strengthened by altering plot,which were formed under the circumstances of regional culture and political rule in the Ming Dynasty.So we should recognize the characteristics of the Ming Dynasty opera in Yuan zaju＇s Editions of the Ming Dynasty and don＇t regard it as the original Yuan zaju＇s feature when we research Yuan zaju＇s Editions of the Ming Dynasty.
出处
《河池学院学报》
2011年第3期55-58,116,共5页
Journal of Hechi University
关键词
明本元杂剧
戏曲特点
戏谑化
大团圆
Yuan Zaju＇s Editions of the Ming Dynasty
the characteristics of the opera
the banter
the happy reunion
