摘要
以品论画是中国古代美术批评的重要方式。唐代朱景玄提出的"神妙能逸"和宋代黄休复提出的"逸神能妙",是最具有代表性的品鉴次第,它们明显反映了唐宋之际中国绘画审美观念的重大转变。宋元以降,逸品跃升为绘画品格的最高一级,"逸"成为文人画的主导审美倾向和核心审美价值。这一绘画观念的转变与文人画的"墨戏"风尚有着直接关联。"墨戏"就是游戏笔墨以书写逸气,它是将逸作为核心审美标准的创作态度。"墨戏"画乃是文人余事所出,虽不求形似、笔墨草草,却真实地呈现出文人的灵趣、学养和品格。"墨戏"使逸格更加明确地成为中国绘画的最高审美标准。
Categorizing paintings into different classes is a very important way of artistic criticism in ancient China.Typical criticism conception respectively reflected a great transformation upon Chinese painting aesthetics between Tang dynasty and Song dynasty.During periods of Song and Yuan dynasties,＂class of leisure＂ upgraded to become the highest class for painting quality,and became a dominant aesthetical trend and value for literati painting.Such transformation related directly to ＂Chinese ink game＂ created by literati.What is Chinese ink game？ It means playing game with Chinese ink and writing out the sense of leisure reflecting literati＇s interest,inspiration,and personality.The class of leisure gradually and definitely became the highest aesthetical criterion in Chinese ink game.
出处
《艺术百家》
CSSCI
北大核心
2011年第4期127-133,102,共8页
Hundred Schools In Arts
关键词
中国画
艺术作品
艺术创作
品
逸品
墨戏
文化品格
审美
Chinese Painting
Artwork
Artistic Creation
Class
Leisure
Chinese Ink Game
Aesthetics
