摘要
美术史观是美术史著述中最重要、最核心的问题,它决定着美术史著述的著史态度和体系建构。20世纪的中国美术史观随着中国社会文化的变迁而几经嬗变,在不同的历史阶段形成了不同的美术史观。大体来说,二、三十年代进化论美术史观流行一时,建国后近三十年阶级论史观主导了当时的美术史写作,后"文革"时期则呈现出多元美术史观并存的局面。
Idea of art history is the most important and central question in writings of art history,which decides the writing attitude and system construction of art history.Idea of art history in China in 20 Century has experienced changes for times according to the changes of the Chinese society and culture,and formed different ideas of art history in different historical periods.Generally speaking,evolutional idea of art history was popular in 1920s and 1930s,and during around 30 years after the founding of the PRC,historical idea of theory of class ruled the art history writing, while after the Cultural Revolution,multiple ideas of art history co-exist.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2011年第3期20-24,182,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
湛江师范学院科研基金资助项目
项目编号W0725
关键词
20世纪
美术史观
嬗变
20th Century
idea of art history
change