摘要
"天下夺魁"的王实甫《西厢记》虽然名为杂剧,但几乎囊括元杂剧代表作品的《元曲选》及元明两代诸多杂剧选集皆不予收入,而明末毛晋编选的传奇选集《六十种曲》却收入此剧。这有必要重新认识《西厢记》的艺术体制。王实甫《西厢记》在创作时其体例当受到南戏(传奇)影响,在角色、人物演唱及结构等体例上,已呈现传奇化特征。但由于其仍用北曲演唱及具有题目正名,元人仍视其为杂剧。毛晋《六十种曲》的编选体例自成一体,收录王氏《西厢记》,应不是作为元杂剧的代表,而视之为与传奇有深厚的血缘关系,是传奇发展中的重要一环,其编选体例自成一体。
Xi Xiang Ji created by Wang Shi-fu is one of the most famous Zaju works in China,but the Zaju seletion Yuan Qu Xuan compiled by Zang Jin-shu had not selected it in the selection.And Chuanqi selection Liu Shi Zhong Qu selected it.We should reevaluate the art system of Xi Xiang Ji.Xi Xiang Ji must be influenced by Nanxi（or Chuanqi） in its roles,people singing,struture,and so on.Xi Xiang Ji had consanguinity with Nanxi（or Chuanqi）,and became the important stage in the history of Nanxi（or Chuanqi）.The compiling style of Liu Shi Zhong Qu compiled by Mao Jin is a unified style.
出处
《南京社会科学》
CSSCI
北大核心
2011年第7期151-156,共6页
Nanjing Journal of Social Sciences
关键词
《西厢记》
艺术体制
传奇
特征
Xi Xiang Ji
the art system
Chuanqi
charateristic
