摘要
从"余"和洛神的单一对应关系出发,《洛神赋》中间人神由遇合到分离、由喜转悲的过渡文字则相当突兀甚至不合情理。与《神女赋》人称所指的变化相似,《洛神赋》中创作者与抒情者具有重合和分离的两面,重合时"余"、"吾"指曹植,洛神为爱情寄托对象;分离时曹植以洛神自喻,"余"暗喻政治寄托对象。《洛神赋》通过混合运用人称所指的变化来悼念妻子崔氏及父亲曹操,表达爱情希望及政治理想的两重幻灭之感。爱情和政治并非各自独立,而是相互补充的有机整体,具有互斥性、相济性、整合性三个基本特征。两者一为表,一为里;一为主,一为辅;一为正面,一为侧面;一为直接,一为间接;一为文学性之表现,一为政治性之表现;一为艺术价值所在,一为思想价值所在。
From the ＂I＂ and the correspondence between a single proceeding Roselle, ＂Luo shen fu＂ middlemen to the separation of God from the contingency, the transition from the hi sad turn text is quite unexpected and even unconscionable. And ＂Luo shen fu＂ person within the meaning of change is similar to ＂ Shen lv fu＂ in the creative and lyrical with a coincident and separate those two sides, coincides with ＂I＂, ＂I＂ refers to Cao Zhi, ＂Luo shen ＂ for the love object; separation Cao Zhi self-evident to Roselle, ＂I,＂ implying that the object of political sustenance. ＂ Luo shen fu＂ By mixing the use of person within the meaning of the changes to mourn his wife and his father Cao Cao , political ideals of love, hope and the double sense of disillusionment. Love and politics are not separate, but complementary organic whole, with mutually exclusive, with mercy, integration of three basic characteristics. One for the two tables, one is in; a main, a supplement; one is positive, one for the side; a direct, one indirect; one for literary merit, one for political Performance; one for artistic value, a value for the thought.
出处
《贵州文史丛刊》
CSSCI
2011年第3期97-104,共8页
GUIZHOU CULTURAL AND HISTORICAL JOURNAL
关键词
曹植《洛神赋》意旨
蠡测
Cao Zhi
＂Luo shen fu＂
subject
research
