摘要
作家韩少功的个人体验提供了一个"返魅"的范例,他的跨文体作品《山南水北》描述了真实世界中一个不可思议的自然生态圈。韩少功不再以"从人到自然"的思维向度审视世界,他投身于山水之间,去静心体察自然的神力,从而能够心存诚恳、恢复对自然的敬畏之心,发现"上帝"的在场,找到人生的落脚点。文章认为,自然的"魅性"从来就未曾消失,真正消失的是人感受自然、与自然相处的能力。真正迷失的不是自然的神力,而是人类的本心,是现代人欲望的过度膨胀。这一点的标志性事物是现代都市。生态批评应该抛弃掉"人类中心还是自然中心"无休止的争论,开启政治性的批评维度。
The personal life experiences of Han Shaogong,a writer,have supplied a sample of ＂return to natural charms＂,while his Shan Nan Shui Bei—a novel with various styles,portrays an inconceivable natural ecosystem in the actual world.Instead of viewing the world in the dimension of ＂progression from humans to nature＂,Han Shaogong has managed to cherish sincerity and admiration for nature by meandering amid mountains and rivers to experience the divine power of nature in meditation,thereby having discovered the presence of ＂God＂ and the foothold of life.The ＂charm＂ of nature has,as is opined in this paper,never vanished whereas what has virtually disappeared is man＇s ability to experience and to get on with nature.What is lost is the true intention of human beings and the overexpansion of human desires in modern times rather than the charm of nature,as is symbolically manifest in the rise of the modern metropolis.As such,eco-criticism should initiate the dimension of political criticism by casting away the incessant debates over ＂human-centeredness or nature-centeredness＂.
出处
《海南师范大学学报（社会科学版）》
2011年第2期105-108,共4页
Journal of Hainan Normal University(Social Sciences)
关键词
韩少功
《山南水北》
“返魅”
生态批评
政治性批评维度
Han Shaogong
Shan Nan Shui Bei
＂the return of natural charm＂
eco-criticism
the dimension of political criticism
