摘要
钟离春是战国时期著名的丑女,又称钟无盐、钟无艳。从主题学的角度来看,无盐故事在不同时代不同文本中的发展演变,已使它不仅仅是一个丑女的故事。通过从情节流变轨迹透析儒家思想,从人物形象演变折射性别视角,从文本形态分布窥探受众心理,可以反映出无盐女故事所包含的多重文化意蕴。
The story of Wu yan is about how an ugly woman became the queen of Qi State.Today;we use ＂Wu yan＂in referring to an ugly girl.By adopting the theme study approach,this paper examines the course of its circulation and evolution in operas and fictions in order to reveal the multiple cultural implications in different periods,induding Confucianism in the plot details,gender view in the figure features as well as the psychology of recipients.
出处
《西华师范大学学报（哲学社会科学版）》
2011年第3期27-30,共4页
Journal of China West Normal University:Philosophy & Social Sciences
关键词
钟无盐
《列女传》
性别视角
受众心理
Zhong Wuyan
biographies of famous ladies
gender perspective
psychology of recipients
