1Yingjin Zhang, Cinema, Space, and Polylocality in a Globalizing China (Honolulu: University of Hawaii Press, 2010), pp. 16-28. 被引量：1
2Fredric Jameson, "Overview," in Tak-Wai Wang and Ackbar Abbas (eds), Rewriting Literary History (Hong Kong: Hong Kong University Press, 1984), p. 347. 被引量：1
3Roger Chartier, Cultural History: Between Practices and Representations, trans. Lydia G. Cochrane (Cambridge, UK: Polity Press, 1988), pp. 10-11. 被引量：1
4Linda Hutcheon, "Rethinking the National Model," in Linda Hutcheon and Mario J. Valdes (eds), Rethinking Literary History: A Dialogue on Theory (New York; Oxford University Press, 2002), p. 8. 被引量：1
5Emory Eniott (ed.), Columbia Literature History of the United States (New York: Columbia University Press, 1988), p. xiii. 被引量：1
6Jenaro Talens and Santos Zunzunegui, "Toward a True History of Cinema: Film History as Narration," Boundary 2, 24.1 (1997), pp. 28-29. 被引量：1
8Andrew Higson, Waving the Flag: Constructing a National Cinema in Britain (New York: Oxford University Press, 1995), pp. 22, 16-17. 被引量：1
9"In Search of Real Life Images in China: Realism in the Age of Spectacle", Journal of Contemporary China, 17.56 (Aug. 2008), pp. 497-512. 被引量：1
10Jason McGrath, Postsocialist Modernity: Chinese Cinema, IAterature, and Criticism in the Market Age (Stanford, Calif. : Stanford University Press, 2008), pp. 129-164. 被引量：1
