摘要
20世纪以来的文学发展史已让人们清楚地看到,文学与媒介之间存在着一种极为复杂的多重互动关系。对于作家来说,媒介绝不只是文学创作的工具和手段;对于作品及传播来说,媒介也不只是作品贮存的载体与流布的通道;对于读者来说,媒介也不仅仅是认识理解文学的门径与渠道。在一定意义上说,媒介作为文学跨时空传播的物质载体,它既是文学生存发展的重要历史条件,也是文学实现社会价值的主要依托,而且还是艺术理念与审美精神的寄身寓所。媒介在与文学长期相互依存的互动过程中,已日渐由文学的形式因素转化为它的内容与本质因素。
From the developmental history of literature since the 20th century, people can see clearly that there is a very complicated relationship between literature and media, which is multiple and interactive. For writers, media is not just the vehicle and means for literary creation at all; for works and communication, media is not just the carrier for storage of works and passage for spread; for readers, media is not just the approach and channel for knowing and understanding literature. In a sense, as the material carrier for literature to communicate across time and space, media is not only an important historical condition for survival and development of literature, but also the main support for literature to realize its social value. And it is also the home for artistic concept and aesthetic spirit. In the interactive process of long-term interdependence with literature, media has gradually changed from the formal element to the content and essential element of literature
出处
《温州大学学报（社会科学版）》
2011年第3期18-26,共9页
Journal of Wenzhou University：Social Science Edition
关键词
媒介为先
数字化
文学媒介
文学场
Media for the First
Digitization
Literary Media
Literary Field
