摘要
德国作家格拉斯强调自己既是作家也是公民,他把参与和批判视为自己的社会使命。在他看来,作家作为"同时代人",应当抵抗占主导地位的"时代精神";这基于他对荒诞现实的认识。他不断努力拓宽的现实主义概念,试图把下意识、想象、梦幻、虚构这些常被看做空幻的东西引入认识视野。他认为神话和童话具有某种领悟真实的创造性维度,能在碎片中亦即被打碎的真实中重建过去、现在和未来之间的关联。
The German writer Günter Grass emphasizes that he is both a writer and a citizen;thus he sees commitment and critique as his social mission.As a contemporary,a writer should resist the dominant Zeitgeist,he says.This is based on the recognition of the absurdity of our reality.It is a concept of reality which he has again and again attempted to expand and which prompts him to focus on the subconscious,on imaginations,dreams,and fantasies,which usually must be taken to encompass something visionary.In his view,myths and fairy tales have a certain creative dimension which helps to recognize truth.And with their help,the relationships between past,present and future（pasenture） can be produced anew amid rubble respectively in the smashed truth.
出处
《同济大学学报（社会科学版）》
CSSCI
北大核心
2011年第2期1-10,共10页
Journal of Tongji University:Social Science Edition
关键词
审美与政治
荒诞主义与介入文学
童话与真实
esthetics and politics
absurdism and littérature engagée
fairy tales and truth
