摘要
徐复观在《中国艺术精神》一书中对庄子"游"的人生开启独特视域加以阐释,认为庄子的纯艺术人生建立在坚实的心性论基础上,具有道家意义上的道德,是超道德的,是物物各安其性的大仁大德,通过人格修养工夫后形成大美、至乐、天乐、大情的超拔、永恒的审美。通过康德的审美判断的无功利性和无目的性和胡塞尔的现象学的纯粹意识批判性地考察庄子的艺术精神,说明"游"是审美的,"游"的境界就是一种审美的人生、艺术的人生,说明虚静之心能产生美的观照,最终将虚静之心作为艺术精神的主体加以确立。
Xu Fuguan opens and interprets a unique domain of life about Zhuangzi ' The spirit of freedom and liberation' in the spirit of Chinese art.Xu Fuguan thinks that Zhuangzi's pure art of life is built on a solid foundation on the Theory of Mind fulling the Taoist sense of morality,over amoral,and the material property of the security of its natural good order.And he thinks that it will form transcendence eternal aesthetic of very beautiful,highest music,God's music,big love through the cultivation of personality.Through Kant's aesthetic judgments by non-utility and no purpose and Husserl's phenomenology of pure consciousness,Xu Fuguan critically examines the artistic spirit of Zhuangzi 'The spirit of freedom and liberation' is the aesthetic,as well as an aesthetic realm of life,artistic life.The emptiness of the heart can produce the contemplation of beauty.Eventually Xu Fuguan establishes emptiness of the heart as the main artistic spirit.
出处
《学术界》
CSSCI
北大核心
2011年第4期160-166,287,共7页
Academics
关键词
心性论
艺术的人生
精神主体
theory of mind
art of life
the spirit of the mind
