摘要
在《玎玎珰珰盆儿鬼》这部戏里,包待制在自我介绍时的"法正天心顺,伦清世俗淳。笔题忠孝子,剑斩不平人"道出了一位清正廉明、执法不阿的清官的心声。元杂剧包公戏所表现的清官文化主要是借塑造包公这个清官形象反映出来的。包公这个清官形象从产生到发展,直到元代成熟定型的一系列过程,以及元杂剧包公戏作家显露出的清官思想,这些都呈现阶段性特点而且有深刻的社会根源。元杂剧包公戏中的清官形象,是剧作家们清官思想的体现,是借古喻今,彰显社会现实的利器。其表现出的清官文化更有一定的社会原因和意义,值得我们重点探究。
In the self-introduction of the drama Basin Ghost,Baozheng told his thought,namely,being honest and clean,being integrated and impartial.The upright official culture was embodied by means of the image of Baogong.This image embodied the playwrights＇thoughts of upright officials in old China.Meanwhile,this image,from its appearance to its development and to its maturity,had gone through some stages and had its deep social roots and social significance,which are worthy to be explored.
出处
《西昌学院学报（社会科学版）》
2011年第1期26-29,共4页
Journal of Xichang University：Social Science Edition
关键词
元杂剧
包公戏
清官文化
Yuan Drama
Baogong Drama
Upright Official Culture
