摘要
康德与牟宗三的美学思想都具有明显的道德意识,但康德道德论的核心概念"自由意志"带有显著的公设性,使得美不必依附于善而成为沟通自然与自由二界的桥梁,随着美的"独立性"在三大批判中的凸显和强调,美最终被定位为"以美通善"的媒介。牟宗三道德形而上学的核心概念"良知"是"体用不二"的本体,有着显著的呈现性,美也被纳入到"道德良知"的世界中而丧失了独立性,美在道德光辉的映衬下最终呈现为"美善合一"的样态。
Both Kant＇ s and Mou Zong - san＇ s aesthetics have its own moral idea. The central concept of Kant＇ s theory （free will） is only a postulate by which beauty connects nature and freedom and can be free of the depend- ency of good. Kant＇ s great works ＂Three Critics＂ reveal and emphasize on the independency of beauty, which regard beauty as the intermedium of ＂ Beauty by Good＂. But the central concept of Mou Zong - san＇ s moral metaphysics （goodness） is the noumenon of ＂Unification of Noumenon and Function＂. Beauty is brought into the field of goodness and loses its independency, then beauty is united into moral and under the shadow of good.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第2期95-98,共4页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
湖南省社会科学基金项目(07YBA121)
关键词
自由意志
道德良知
心理是一
体用不二
free will
goodness
oneness of mind and logos
unification of nomenon and function
