期刊文献+

返璞归真与森林审美 被引量:3

Return to Trueness and Forest Aesthetics
下载PDF
导出
摘要 返璞归真是指去掉事物的外饰,还其原始的淳朴本真状态。在森林审美的不同层次中,"真"的表达各不相同。在森林景观层次,"真"表现为审美对象的客观存在性和真实性(情为景生);在森林意象层次,"真"表现为人的真心真爱和真实情感(情景交融);在森林意境层次,"真"表现为人的真性情和真感悟(天人合一)。"真"既是森林审美的逻辑起点,又贯穿于森林审美的全过程,体现审美的形式、内容和灵魂。 Return to trueness means getting rid of exterior trimming and returning to reality of a thing. On the different levels of forest aesthetics, the concepts of trueness are different. From the viewpoint of forest landscape, trueness is represented by the outwardness of aesthetics objects, which means the arousing of people's emotion by forest landscape. From the viewpoint of forest image, trueness is represented by people's sincere emotion, which means the fusion of people's emotion and forest landscape. From the viewpoint of forest artistic conception, trueness is represented by people' s sincere disposition and inspiration, which means the unity of human and nature. Trueness is not only the logic origination of forest aesthetics, but also run through the whole process of forest aesthetics, and embodies the form, content and spirit of forest aesthetics.
出处 《北京林业大学学报(社会科学版)》 CSSCI 2011年第1期22-25,共4页 Journal of Beijing Forestry University :Social Sciences
关键词 森林 审美 返璞归真 forest aesthetics return to trueness
  • 相关文献

参考文献4

  • 1黑格尔.美学[M].北京:商务印书馆,1985.365,336. 被引量:15
  • 2杨辛 甘霖.美学原理[M].北京:北京大学出版社,1995.131. 被引量:8
  • 3叶朗.胸中之竹[M].合肥:安徽教育出版,1998:55-57. 被引量:16
  • 4苏祖荣.森林美学概论[M].上海:学林出版社,2001.. 被引量:10

共引文献45

同被引文献60

引证文献3

二级引证文献7

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部