摘要
宗白华基于形上学宇宙论的艺术观与美学观纠结在一起,具有艺术哲学的色彩。他始终关注艺术与人生的密切关联,追求艺术的生命意义和精神价值。宗白华的艺术史观也是建立在民族宇宙观和美学诠释学的基础上,虽然没有温克尔曼所期待的科学艺术史的合理原则和丰富史实,但他并未寻找一个黑格尔式的"理念"来演绎艺术史。在中西文化比较的视域中,宗白华的艺术史研究沿着"艺术精神"主导下的艺术风格的变迁以及美感类型的演进来展开的。他主要是从艺术精神、文化象征与艺术风格、美感类型、艺术境界与价值等多个向度来阐释艺术史的观念。其艺术史观和研究方法呈现出多元化和多样性的特征。
Zong Baihua's artistic view is characterized by artistic philosophy as it is closely related to his aesthetic view.He pays close attention to the relationship between art and human life,and is always in the pursuit of life meaning and spiritual value of art.Establishing his artistic view on the basis of national universe philosophy and aesthetic hermeneutics,Zong Baihua conducts his artistic research by following the changes of artistic styles and the developments of aesthetic types.He tends to interpret the conception of artistic history from various aspects such as artistic spirit,cultural symbolization,aesthetic types,artistic state and value,which marks a diversified feature of his view of artistic history and his research methods.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第2期81-88,128,共8页
Journal of Southeast University(Philosophy and Social Science)
基金
国家社科基金项目"20世纪比较诗学视域下的中国艺术精神研究"(10BZW015)阶段性成果
江苏省高校研究生科研创新计划项目"宗白华艺术美学体系研究"(CX10B_041R)成果之一
