摘要
本文以中国的"还坛神"和韩国的"东海岸别神祭"为主要研究对象,对中韩两国仪式剧进行比较,寻求其普遍性和特殊性。从演出形态来看,中韩仪式剧主要集中在仪式的娱神酬神阶段演出,其基本形态是祭夹戏;但中国仪式剧较多的是以戏代祭,韩国仪式剧一般是先祭后戏。从艺术品格来看,二者具有拙朴、风趣、即兴的艺术品格,均包含了一些游戏的特质。但中国仪式剧较多的具备戏曲萌芽的特征,韩国仪式剧较多的具备原始演剧的特征。
Centering on Chinese Huantanshen and Korean Donghaean Byolsingut,this article aims to make a comparison between Chinese and Korean Ceremony dramas in pursuit of their commonalities and individualities.In light of the performance environment,both ceremonies all focus on the entertaining and votive phases and the basic performances are all sacrifices embedded with dramas.The difference is seen in the aspect that dramas are always in the place of sacrifices in Chinese ceremonies while dramas follow the.sacrifices in Korean ceremonies.In light of folk art features,both are characteristic of severity and fun.They are mostly impromptu and game-oriented.However,most Chinese ceremonies have been endowed with the rudiments of dramas where as Korean ceremonies are largely categorized into original performances.
出处
《当代韩国》
2010年第4期96-106,共11页
Contemporary Korea
