摘要
本文指出中国古代画家创作的真实目的是"图真",是画家借助于绘画这种形式,将个体生命与宇宙永恒的生命相同构,从而在绘画层面实现个体生命的永恒,这就要求画家们所选择的艺术语言必须能够彰显永恒动化的特性。中国画线条语言系统就是中国古代画家寻找到的代表永恒的艺术语言,这个系统包含线条——点运动的轨迹、阴阳墨态变化(效果层面)、和韵机制(行为和效果层面)三大方面的内容,它可以对应气化万物的过程,也代表着画面的生命力和画家的艺术生命力,具备永恒动化的特性,是中国画家必然的选择。文章以演绎法建构起一套中国画家选择线条语言系统作为主要表现语言的内在文化逻辑。
This paper argues that the real goal of ancient Chinese painters is to achieve ＂the reality of pictures＂,creating a unity of individual life and universal eternity through the form of paintings and eternalizing individual life at the level.For that purpose,artists must choose an artistic language that can demonstrate the characteristic of perpetual movements.That language is the system of lines in Chinese paintings,which includes lines,or movement paths of dots,various formations of ink（aspect of effect） and consonance mechanism（aspect of behavior and effect）.It corresponds to the alternate change of Yin and Yang and also symbolizes the artistic life of both pictures and artists.Therefore,it is the inevitable choice for Chinese painters with its characteristic of eternal movements.This paper constructs an internal cultural logic of the ＂lines＂ language by deductive method.
出处
《文化艺术研究》
2010年第4期187-194,共8页
Studies in Culture and Art
关键词
永恒
动化
阴阳
和韵机制
“气”
eternity
movement
yin and yang
consonance mechanism
aura
