摘要
文本批评是文学批评的一个分支,兴盛于20世纪中叶。它集中研究文学文本的问题,引入"关联域化"的概念:文本的意义不能从文本的本身获得,只能从其它文本领会它的意义。这就是中文表达方式"跨学科"的由来。今天,关联域化已遍及各门学科,音乐学也不例外。文章概述近几十年来音乐学关联域化提出的问题和结果,以及21世纪音乐学发展的相关趋向。
Text critique is a branch of literary critique, which flourished in the mid of twentieth century. It focuses on the questions of literary text and introduces conception of ＂contextualization＂ ： the meaning of a text cannot be acquired from itself, but from other texts. This is the origin of the Chinese expression ＂across disciplines＂. Nowadays the contextualization has been extended all over disciplines, including musicology. The paper outlines questions and outcomes brought by musicological contextualization for several decades past and foresees interrelated trends in musicology of the twenty-first century.
出处
《星海音乐学院学报》
CSSCI
2011年第1期1-5,13,共6页
Journal of Xinghai Conservatory of Music
关键词
文本
关联域
关联域化
text
context
contextualization
