摘要
歌剧《伤逝》是施光南为纪念鲁迅先生诞辰一百周年而改编的同名歌剧,创作于20世纪80年代初,是用西洋歌剧创作手法创作的中国民族歌剧的代表作品之一,是一部具有探索意义的实验性作品。歌剧《伤逝》与小说《伤逝》在结构上均可用奏鸣曲式的音乐结构来诠释,其音乐的陈述与小说的叙事方式相吻合,在爱情主题的描绘中,抓住了小说中的"紫藤花"这一物象特征,进行了音乐主题创作。文章旨在将歌剧《伤逝》与小说《伤逝》进行对比,发掘二者的共性,从而达到细致而完整地演绎歌剧女主人公子君的形象;同时能更好地理解整部作品,把握其思想感情。
The Opera of ＂Regret＂ is the opera of the same name by Shi Guangna in honour of the 100th anniversary of Lu Xun in the early 1980s,one of the representative works of Chinese natonal operas created in the west opera creation way,and is one of experimental works with exploratory significance.In the structure the opera of ＂regret＂ and the novel of ＂regret＂ can all be sonata,and the music＇s statement coincides with novel＇s narrating way,in the depiction of love motif,catches the object characteristics of ＂ZiTengHua＂ to create music theme.This article aims to compare the opera of ＂regret＂ and novel of ＂regret＂,to find the commonality between both so as to achieve a detailed and complete deduction of the childe image of hostess in the opera.
出处
《江西教育学院学报》
2010年第6期81-83,共3页
Journal of Jiangxi Institute of Education
