摘要
本文从生漆的科学属性出发,着重阐述战国时代的楚国漆艺。对于楚国漆器所表现出的纷繁的面貌,尝试进行了分期研究,根据已出土的大量实物,按照楚国国家的发展进程分为三个主要时期,并对漆器与青铜器、陶器在造型上的承袭关系,不同时期内漆器的制作工艺、造型特征和装饰纹样作出了分析、比较。本文还对中国漆器的发展如中国用漆的起源和"漆政"问题做出了探讨。
This article starts with the scientific nature of the raw lacquer to probe the lacquer art of the Chu Kingdom during the Warring States Period（ BC475-221 ）. Based on the excavated relics and the development process of Chu Kingdom, the article divides the lacquer ware into three periods. In discussing the connection of the shaping be- tween lacquer ware and bronze ware, as well as pottery, the article makes detailed comparison on the production technique, shape and decoration patterns of lacquer ware in different times. In addition, the article also discusses several issues on the development of Chinese lacquer ware. For instance ,on the origin of lacquer application in Chi- na, the article raises the view of ＂multiple origin＂ ;on the national management of Rhus verniciflua Stokes planting and lacquer ware production during the Warring States Period, the author regards raw lacquer as a strategic material and discusses the issue of ＂lacquer policy＂.
出处
《中国生漆》
2010年第2期44-48,共5页
Journal of Chinese Lacquer
关键词
起源
漆材料
楚漆艺
分期
origin
lacquer material
lacquer art of the Chu Kingdom
different periods
