摘要
居于重复来研究文学,成为20世纪诸种研究方法的切入点。但这并不意味着有关重复诗学的研究已根深叶茂。学术史表明,人们往往只是将重复作为洞烛微明的有效工具,而对工具本身却缺乏应有关注。本文力图描述重复诗学的核心问题,即其基本的诗性功能。拟从重复之间的不同关系入手,推定出三种基本的功能形态:再现式、反讽式和互文式。进而发现,这三种功能不仅相互对立,而且彼此交织缠结。任何重复所衍生的意义,都是这三种功能合力的结果。而且,它们在不同重复现象中显现出来的力度各异,也就带来了诗性意义的复杂多变。
Repetition is one of popular research methods in the 20th century.However,it doesn＇t mean people have studied about repetition deeply.On the contrary,people tend to regard repetition as an effective tool which can only scratch the surface,but lack deep research about repetition itself.The paper focuses on the way of derivative signification of repetition,that is,the basic poetic function.From the different relationship between the repeat and repeated,the paper will infer three basic functional morphology： reproduction,irony and intertextuality.The three functions interlace with one another instead of opposing against one another.Any repeated derivative significance of poetics is the product of the three functions.The emerged force of the three functions is not balanced in concrete repetition,therefore,it will bring complexity of repeated significance.
出处
《重庆邮电大学学报（社会科学版）》
2011年第2期115-120,共6页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
重复
诗学功能
再现
反讽
互文
repetition
poetic function
reproduction
irony
intertextuality
