摘要
"立象以尽意"是一个哲学命题,它反映的是存在和表达方式之间的关系。经由哲学领域发展到文学领域后,这一命题对中国古典诗歌创作产生了重大影响,成为古典诗歌创作的范式。诗人们的创作遵循"言不尽意———立象以尽意"这一思维模式,从语言之"象"、无形之"象"、有形之"象"三个方面,试图在诗歌中树立起一个大于语言本身的"象",从而来实现"尽意"的目的。正是这种创作范式,形成了中国古典诗歌含蓄隽永、意境深远的艺术特征。
It is originally a philosophy category to establish the images to give the fullness of the concept in the mind,which represents the relationship between existence and expression.However,in the variation process from the philosophy category to the literature category,it had a great influence on classical poetry and became a creation paradigm in China.Poets in China followed the thinking mode from inadequate expression to creation of images for full expression,and for the sake of full expression,they attempted to present a greater image in poetry from three aspects： verbal images,invisible images and visible images.This creation paradigm formed implicit and profound artistic features of classical poetry in China.
出处
《新疆财经大学学报》
2011年第1期54-59,共6页
Journal of Xinjiang University of Finance & Economics
关键词
立象以尽意
创作范式
语言之象
无形之象
有形之象
establish the images to give the fullness of the concept in the mind
creation paradigm
verbal images
invisible images
visible images
