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中国钢琴音乐的文化取向——“神韵” 被引量:11

"Magical Charm"——the Cultural Orientation of Chinese Piano Music
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摘要 "韵"最先是一个音乐术语,是中国传统音乐美学的基本范畴。"神韵"是中国传统音乐文化的灵魂。中国钢琴音乐的线性思维方式,源自于中国音乐强调旋律线状音响的波状流动的美学意识,是文化传承最重要的方面。中国钢琴音乐民族化的和声创新是线性思维的发展,淡景重情的美学倾向解读了中国钢琴音乐的文化内核,中国钢琴音乐的文化将在21世纪历史的发展中获得新的诠释,赋于"神韵"以新的意义。 "Charm" was a musical term originally, belonging to the basic category of the traditional music aesthetics while "magical charm" is the soul of traditional Chinese musical culture. The lineal way of thinking in Chinese piano music results from the aesthetic awareness attaching great importance to wave-like flow of the melodious tune's lineal sound and has become the most significant aspect of cultural passing-on and inheritance. The innovation of the nationalized harmony in our Chinese piano music is a development of lineal way of thinking while the aesthetic tendency of stressing emotion and giving less prominence to scenery interprets the cultural kernel of Chinese piano music. The culture expressed in this type of music will obtain a new explanation in the development of the twenty first century and endow "magical charm" with a fresh meaning.
作者 王昌逵
出处 《深圳大学学报(人文社会科学版)》 CSSCI 北大核心 2011年第1期156-159,共4页 Journal of Shenzhen University:Humanities & Social Sciences
关键词 中国钢琴 音乐文化 神韵 线性思维 Chinese piano musical culture magical charm lineal way of thinking
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