摘要
在吴文化背景下,透视中国古典舞、江南民间舞、昆曲身段等方面的精髓,探讨其形态,从而通过古典舞蹈的发掘、昆曲身段的提纯、吴地民间舞蹈的运用等,再以当代舞蹈的审美观来进行舞蹈形态的体现与创作,具有重要的意义。
Based on Wu Culture,the paper studies the true essence of Chinese classical dances,folk dances in the south of Yangtze River and the postures of Kunqu Opera.It is significant to explore the choreographic elements of these dances and,by imbuing the contemporary dance aesthetics,to embody them in the choreography of dance works.
出处
《苏州教育学院学报》
2010年第4期55-56,123,共3页
Journal of Suzhou College of Education
基金
苏州市职业大学科研项目(SZD09W28)
