摘要
张炎论词主张音乐与词作并重,其"雅正"说实包括音乐之雅正、词作之雅正和雅词协音三方面。张炎提出"精粹"、"妥溜"等审美范畴,服务于"清雅"词论体系。融贯之美是他词论体系中不可或缺的审美要素,用以达到清空中有意趣的目的。
Zhang Yan attaches great importance to the combination of music and Ci-poetry.His theory of Yazheng（elegant legitimism） consists of the elegance of music,the elegance of Ci-poetry and the coordination between both.Besides,such aesthetic categories proposed by Zhang Yan as Jingcui（quintessential） and Tuoliu（pernitent） all redound to his theoretical system of Ci-poetry marked by Qingya（refreshing elegance）.Moreover,the concept of harmonized holistic beauty also plays a crucial role in his theoretical outlook on Ci-poetry,which aims at achieving the goal of displaying natural beauty in simplicity.
出处
《南阳师范学院学报》
CAS
2010年第11期64-65,67,共3页
Journal of Nanyang Normal University
关键词
张炎
雅正说
精粹
妥溜
融贯之美
Zhang Yan
theory of Yazheng（elegant legitimism）
Jingcui（quintessential）
Tuoliu（pernitent）
holistic beauty
