摘要
民歌,确是作曲家"取之不尽,用之不竭"的源泉。然而,相当长的一段时间以来,在蔑中崇洋、薄己厚彼,对外来的东西一味盲从、效法,甚至到了专门取其糟粕、去其精华的地步。在这样的大文化环境之下,四川民歌面临严峻的形势。作者通过对音乐大师与民歌的关系以及对四川民歌特点等的分析,指出应该让四川民歌走出沉寂。
Folk songs are inexhaustible fountainhead for composers.Proven by both Chinese and western musical histories from ancient times to modern age,the most popular and long-lived musical compositions and styles are rooted in folk songs.In a long period,however,a trend that worships things foreign and fawns on foreign countries dominates the national cultural environment.Sichuan folk songs face severe challenges.Through the analysis of the relationship between music educators and folk songs and the characteristics of Sichuan folk songs,this paper holds that music educators are responsible for singing out Sichuan folk songs.
出处
《四川教育学院学报》
2011年第1期50-52,共3页
Journal of Sichuan College of Education
关键词
四川民歌
沉寂
源泉
民族性
Sichuan folk songs
dreariness
fountainhead
nationality
