摘要
《审音鉴古录》是中国古代戏曲"第一部专门的导演著作",为中国古代戏曲提供了早期戏曲舞台的"导演意识"。本文试以《琵琶记》选段为例,从构成当代戏曲舞台的三位主体——导演、演员、受众出发,来分析《审音鉴古录》所具备的早期"导演意识",从而以古鉴今,引发更多对当代戏曲舞台导演艺术的思考。
＂Collection of Tasting Music and Appreciating the Ancient＂ is the ＂first professionalmasterpiece on directing drama＂ in ancient China,because it provides a ＂directing consciousness＂ to early drama stage.Taking an extracted sect of ＂the story of Pipa＂ as an example,and viewing from the trinity of drama stage subject ＂director,actor,and audience＂,the present article analyses the ＂directing consciousness＂ initiated by ＂Collection of Tasting Music and Appreciating the Ancient＂,so as to bring some proposition to contemporary directing art.
出处
《艺术百家》
CSSCI
北大核心
2011年第1期158-161,219,共5页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一
关键词
戏曲艺术
《审音鉴古录》
《琵琶记》
导演意识
演员表演
受众接受
＂Collection of Tasting Music and Appreciating the Ancient＂
＂The Story of Pipa＂
Directing Consciousness
Actors＇ Performance
Audiences＇ Acceptance
