摘要
贺享雍在长篇小说《土地神》中一改往日凝重、写实的叙述策略,以恢谐幽默的手法,将农村的单纯与复杂,简约而不简单地展现出来,传递出他对乡村基层干部与百姓的生存欲望与生存困境的思考。不过,作品显露出的创作意图与创作实践及阅读接受间的不平衡现象,以及欲望书写难以摆脱的功利化、世俗化、非理性的艺术倾向,值得我们认真思索。
The style of depression and truth to reality in He Xiang-yong＇ s writing is changed into the one of wit and humor in his long novel Land God. This novel displays the innocence and complexity, and econimilization but not simplicity and it also expresses the writer＇s thought of survival desire and dilemma from the cadres and villagers of countryside. However, it is worth reflecting on the unbalances between the writing intention and the writing practice as well as the readers＇ response and on the artistic tendency to be utilitarianism, worldly and un - rational which is doomed to be the characteristic of desire writing.
出处
《四川文理学院学报》
2011年第1期94-96,共3页
Sichuan University of Arts and Science Journal
关键词
贺享雍
《土地神》
情感选择
欲望书写
情感支点
He Xiang- yong
Land God
emotion tendency
desire writing
emotion fulcrum
