摘要
英国形式主义美学家克莱夫.贝尔在《文艺》中提出的"有意味的形式就是一切艺术的共同本质",根据形式与意味在审美经验中紧张关系,以京剧为例,分析这一美学原理在中国传统戏剧的体现及其带来的困惑与张力。
As British formalism anesthetist Clive Bell held in his work Art,＇significant form＇ is the common essence of all art.The following essay is based on the expression of form and significance in Peking Opera of the contemporary ear,yet,the connection and construction between each other,in order to analyses the aesthetical contradiction of it.
出处
《盐城工学院学报（社会科学版）》
2010年第4期52-55,共4页
Journal of Yancheng Institute of Technology（Social Science Edition）
关键词
形式
意味
有意味的形式
京剧
form
significance
significant form
Peking Opera
