摘要
曹雪芹与金庸虽然隔着两百年的时空,但是在创作个性的主体选择与响应民族文化的呼唤上,却若合符节。从反映的文化层次上,《红楼梦》与《鹿鼎记》居于中国文化系统的两极,正好构成了循环的中国文化背景。作为作家们在不同的历史时期对于中国文化进行的反思与批判,《红楼梦》有对文化凤凰涅槃的绝望的期待,《鹿鼎记》则沉潜到历史中寻找文化持续更新的动力。虽然曹雪芹与金庸对于文化的层级、文化的角度表现有别,但他们的基本写作立场依然是中国知识分子的"忧思"传统。基于独特的创作个性与独立的思想判断,他们对中国文化从不同的方面进行了新的构形,并创作出了能作为民族文化镜子的伟大作品。
This thesis compares two famous novels Hong Lou Meng and Lu Ding Ji through cultural perspective.The authors Cao Xueqin and Jin Yong are in the similar cultural situation： it is the end of the feudal dynasty and Ultra-leftist pride of Contemporary China that make them think about the strength and weakness of Chinese culture;cultural dilemma gives them the vision of transcendence.So they write at the edge.Cao shows both the delicacy／／advance and the fragility／／corruption of elite culture while Jin shows both living and filth of civilian culture.They both give expression to the wish of cultural renewal and the thought of cultural figuration.
出处
《山东科技大学学报（社会科学版）》
2010年第1期95-100,共6页
Journal of Shandong University of Science and Technology(Social Sciences)
关键词
《红楼梦》
《鹿鼎记》
贵族文化
平民文化
文化构形
Hong Lou Meng
Lu Ding Ji
aristocratic culture
civilian culture
cultural figuration
