摘要
形神是中国古典哲学和美学的一对重要范畴,在其发展流变中,显示出对于艺术创作的深刻影响。形神观念以及衍生的"形似"和"神似"的辩证运动,在中国的艺术传统中发挥着深远的作用,而且还深刻地影响着中国美学的特质。从中国艺术的创作实践和理论内涵而言,形神范畴体现了中国的视觉艺术理论的特殊品格。同时,我们亦可从现象学的角度进行思考。
Form and spirit are a pair of categories of Chinese classical philosophy and aesthetics,in their development and change,they have a profound impact on creation artistique. The concept of form and spirit and the derived dialectical movement of ＂similarity in form＂ and ＂similarity in spirit＂ have played profound and lasting role in traditional Chinese art,also have profound impact on traits of Chinese aesthetics. Categories of form and spirit embody the particular quality of Chinese theory of visual arts from the perspective of the connotation of creation practice and theory of Chinese art. At the same time we can think from the perspective of phenomenology.
出处
《江西师范大学学报（哲学社会科学版）》
2010年第5期82-88,共7页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
形神
以形写神
传神写照
交互主体性
form and spirit
expressing spirit by form
catching the spirit
intersubjectivity
