摘要
清中叶是女性词创作的鼎盛期,由大量的文本资料,可以探知女性词在长期的发展过程中所形成的不同于男性词的特质。女性词时常通过深杳封闭的空间描写体现出微婉内敛的思致,时常传递出寒凉无依或慵倦无聊的心理感受,同时,女性词亦多选取具有纤细柔美之感的意象来表达幽微婉曲的心情、清幽寂静的氛围,而较少直接述情之作。这种往往被称作"闺阁气"的女性词特质的形成,实则与女词人的生活处境、心理特征及审美取向等均有着密切的关系。
The Middle Qing Dynasty saw the heyday of ci-poetesses＇ writing. In the long process of its development, female ci- poetry differed from male ei-poetry in its characteristics. Women often expressed their exquisite and reserved feelings by describing their bleak solitude and weary thought. Meanwhile, they often chose the image full of tender and graeeful emotions to express their implicit mood and to depict the peaceful atmosphere. The formation of these characteristics, which were called the traits of the boudoir, was closely related to the el-poetesses＇ living environment, mental features and aesthetie orientation.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第6期60-64,共5页
Journal of Peking University(Philosophy and Social Sciences)
关键词
女性词
特质
闺阁气
female el-poetry
characteristic
trait of the boudoir
