摘要
"民间"的存在体现了现代都市复杂多样的分层现实,其主体经常处于压抑的弱势层级而往往不拥有话语权。电影通过记录底层民间的世俗生活,不仅发现了民间主体的精神压抑、与主流价值观念断裂的边缘世界,也集中表现了民间的生存困境,即与主流社会现实断裂的角落人生。记录者在再现长久以来被遮蔽和被忽略的社会现实之余,也完成了对于城市化进程中底层民众生存状态的现实关照和深层关怀。
The existence of ＂folk＂ reflects the complex and diverse hierarchical realities of modern cities, which subjects, the vulnerable class, are always in a depressed state, and enjoy few words power. By recording the grass root＇ s secular civil life in Beijing, the film not only conveys the mental depression of the subjects of folks and the edge of the world which has ruptured with mainstream values; but also reflects the plight of civilian life, namely the corner of life breaking with the mainstream reality. Apart from the reproduction of social reality which has been neglected in the shade for a long time, recorder also completes the practical attention and deep concern for the living condition of underlying population in the process of modernization in Beijing.
出处
《城市问题》
CSSCI
北大核心
2010年第11期97-101,共5页
Urban Problems
基金
国家广电总局部级社会科学研究项目(GD09131)
北京市社会科学理论著作出版资助项目(200801040)成果之一
关键词
电影
北京
民间
film
Beijing
folk
