摘要
巴赫金把陀思妥耶夫斯基小说创作艺术定义为复调结构,但却回避了形成这一结构的思想根源,以往学术界常常是从作家的创作心理和世界观的矛盾中去探索根源,在社会现实生活和人自身的复杂心态中去寻找阐释。本文则将从俄罗斯民族信奉的东正教以及陀思妥耶夫斯基本人的宗教意识和文艺创作方法入手,发掘其复调小说结构艺术形成的深层缘由,即东正教的"聚和性"意识。
Bakhtin defines the art of Dostoevsky＇s fiction writing as polyphonic structure,yet he evades the necessity of probing into the ideological origin for the formation of such structure.Traditionally,the academic community tends to locate the origin of an author＇s creation by analyzing the contradiction between the author＇s artistic psychology and his/her world view,and to seek interpretation from the actual social life and the complex mentality of mankind.This article proceeds from the discussion of Orthodox Church worshiped by the Russians and Dostoevsky＇s religious conscious as well as his literary techniques.It concludes that the deeper origin for the polyphonic structure in Dostoevsky＇s fiction should be the awareness of ＂aggregation and harmony＂ embodied in the Orthodox Church.
出处
《外国文学研究》
CSSCI
北大核心
2010年第5期73-78,共6页
Foreign Literature Studies
基金
江苏省哲学社会科学基金资助项目"20世纪俄罗斯文学批评理论研究"【项目编号:10WW003】的阶段性成果
