摘要
从上世纪八十年代起,暴力美学作为一种新的电影创作风格和手法开始频繁地出现于一些电影作品中。本文从古典文学艺术和荣格的集体无意识论中汲取营养,对暴力美学的外在表现和产生的心理原因﹑社会原因进行了具体论述,然后结合一些具有代表性导演的作品,将暴力美学的特点归纳为对力量的崇尚,形式的美化及人性解放的总结,并论述了暴力美学所体现的时代精神。关注暴力美学的发展对电影艺术和社会都具有重要意义。
From the eighties of last century, the aesthetics of violence as a new film-making style and techniques began to frequently appear in some movie works. This paper learns nutrition from classical literature and art and the collective unconscious of Jung, argues the performance of the external aesthetics of violence and the psychological reasons for specific reasons, and then combines some representative works of some director, which summarize the characteristics of violence aesthetics as advocating for power, the liberation for human nature. It＇s of great significance to concern about the aesthetics of violence and social development of film.
出处
《江西广播电视大学学报》
2010年第3期34-36,共3页
Journal of Jiangxi Open University
关键词
暴力美学
电影艺术
宣泄
aesthetics of violence
film arts
vent
