摘要
在一般西方音乐史学论著中,鲜少专注于19世纪上半叶德国合唱音乐实践的发展。文章以音乐社会学视角对19世纪上半叶勃兴于德国的合唱音乐实践进行梳理,提供了新的材料,得出了一些新见;并让读者看到,在19世纪上半叶兴起的合唱艺术,既开创了德国音乐生活的新风俗,也为德国音乐创作高度繁荣抒写了不可或缺的一笔。
The author thought that there had been few materials on development of choral music practice in German in first half of 19th century among general musical historiography treatises or books in the West： With the viewpoint of music sociology, the paper organized the choral music practice in German thrived during the first half of 19th century. The author afford some new materials and new ideas in the article. It showed that the choral art created not only a new customs for German music activity, but also an absolutely necessary to help the music creation in German got high flourishing.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第4期62-68,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
西方音乐史
19世纪
德国
合唱音乐
19th Century, German, choral music, view of sociology
