摘要
越剧《马龙将军》实现了越剧与莎剧之间的对话,这种对话体现出互文性特点。莎剧《麦克白》的狂乱精神世界在得到表现的同时,实现了越剧形式的替换与重构。从而在越剧形式的基础上,将中国戏曲意识、形式运用于《马龙将军》的表演。以音舞诠释"情与理"、人性中的丑恶,以唱腔、程式、身段对原作的叙事给予鲜明的美丑对比建构,以越剧形式成功实现了与莎士比亚的对话。
The Shaoxing opera General Malong is a good inter-textual example of Shakespeare＇s Macbeth.Besides reproducing the Spiritual confusion of Shakespeare＇s play,it is successful in establishing its own structure so as to plant modern consciousness into this opera.In the transformation between the dramatic notions of reason and emotion,and the transformation between dancing with music and dialogue expression,a new dialogic and inter-textual relationship is established in form and content,way of performance and notions of drama.
出处
《南京社会科学》
CSSCI
北大核心
2010年第10期133-138,共6页
Nanjing Journal of Social Sciences
关键词
越剧《马龙将军》
莎剧《麦克白》
互文性
Shaoxing opera
Gereral Malong
Shakespeare＇s Macbeth
Inter-textual
