摘要
通过阅读苏州博物馆新馆作品及其与周围环境之拓扑布局关系,对照贝聿铭其他设计作品,尝试以"道"与"器"、"名"与"实"的中、西方古典哲学视角,再度挖掘贝聿铭苏州博物馆新馆的内涵及其设计手法,解读分析这一"完型"之作中所体现的主题,并发现其对当今建筑实践的启迪意义。
This paper reads I.M.Pei＇s New Suzhou Museum——its design and relationship with garden and setting,and tries to reveal the theme embodied through this design with Chinese and western philosophical angles,to research I.M.Pei＇s design spirit in his Suzhou Museum,so as to explore its meaning in nowadays architectural practice.
出处
《新建筑》
2010年第5期106-111,共6页
New Architecture
基金
香港政府研究资助局资助项目(9041420 City U 149908)
国家科技部"十一五"国家科技支撑计划课题(2006BAJ03A07)
