摘要
明清两代是戏曲理论迅速发展的时期。李渔总结中国古典戏剧,特别是明清传奇的特点,提出了关于传奇应该以"团圆之趣"结尾的戏剧美学观点。虽然他在自己的戏剧创作中最终还是难免落入戏剧结尾新的俗套,但他对中国古典戏剧的理论总结和力求创新的创作实践仍将中国古典戏剧的艺术境界提高了一大步。
During the Ming and Qing Dynasties is the fast developing period of opera theory.Liyu＇s summary of Chinese classical theater,especially the characteristics of Ming and Qing dynasties,puts forward the legend about the legendary ＂reunion interest＂ at the end of the drama.Even though he plays in their creation ultimately unavoidably fell drama end,but his new convention on classical Chinese drama to the theory of innovation and creation of Chinese classical theater will continue to improve the art realm.
出处
《安康学院学报》
2010年第5期71-73,共3页
Journal of Ankang University
关键词
李渔
戏剧理论
结尾
团圆之趣
Li Yu
ending
opera theory
comedy with reunion interest
