摘要
清代北京地区的小曲承续明代而多有发展,旧调之外,复添新声。满族文人的积极参与,南北时尚小曲的传播汇集,与其他说唱艺术及戏曲曲种的相互渗透等诸多社会文化因素共同促成了它的繁荣。北京小曲的曲牌风格主要有两点:第一,南北兼有,北曲最盛;第二,形式灵活,曲曲相生。时调小曲内容丰富多彩,其中数量甚夥、颇具颠覆意义的描写,当属情欲风月类的吟唱。此类描写有相思之感、闺怨之情、风月之性等多种,成为庶民大众的生命情歌。运河的便利交通与妓馆的演唱是此类小曲形成与流传的主要因素。
The ditty was very popular in the Ming and Qing dynasties,and can be easily found in streets and marketplaces.Beijing ditty in the Qing dynasty inherited from the Ming＇s and developed.There are many social and cultural factors contributing to this prosperity,such as the active participation of Manchu literati,the spread of ditties both in the north and south,the mutual penetration of other spoken arts and traditional Chinese operas.The tune name style of Beijing ditty has two characteristics.First,there are both southern and northern ditties and the northern ones are more popular.Secondly,the form is flexible and is influenced by each other.The content of ditties is rich,and most of them are about sexual passion.They describe the feeling of missing,the resentment in boudoir,the nature of sexual passion,and become people＇s love songs in life.The convenient transportation of canal and singing in brothels are two main factors of the formation and popularity of this kind of ditties.
出处
《浙江艺术职业学院学报》
CSSCI
2010年第2期27-33,共7页
Journal of Zhejiang Vocational Academy of Art
基金
北京市哲学社会科学"十一五"规划项目(项目编号:06BdWY016)
关键词
北京
小曲
市井
码头
Beijing
ditty
market place
wharf
