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To Appreciate and Comprehend the Ghosts Elements in A Christmas Carol

To Appreciate and Comprehend the Ghosts Elements in A Christmas Carol
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摘要 This paper explores the message hidden in the ghost characters in Dickens'A Christmas Carol. There are an immense number of books about ghost both in Chinese and British literature. Ghost is an imaginary afterlife of human being; similarly novel is also a kind of fiction based on the real life. Therefore,when novels are used to shape the ghost images,there will be a powerful and unstrained space produced by the double-tier imagination. The ghost novels can also serve as a mirror of human society and speak of some problems in human life. So a better understanding of the ghost characters in literature can give us a deep insight into the society at the time when the story took place,as well as providing us a good chance of literature appreciation.Considering the role that the ghosts play in this novel,it should be called memory figures,developing Scrooge from a character wishing to shut out his past to one living in the past,the present,and the future. The first indication of his character can be derived from the remark that he takes "his melancholy dinner in his usual melancholy tavern" and then returns to his "gloomy suite of rooms ". The adjectives tell us that Scrooge should have a talent for remem?brance or rather a good memory. His humoral constitution predisposes him for it. The three ghosts,whose visitation Marley announced,each take Scrooge to places,to towns and buildings,the most traditional type of image in artificial memory. It is typical of these visits that Scrooge,like Vergil in Dante's Divine Comedy,becomes an invisible visitor,who enters the world of his past evoked by the memorial places. This immediate contact appears as a precondition for the reformative influence of the past on Scrooge. If we look back to an earlier Christmas story,which also preaches the change of heart,Dickens' new and specific frame of reference shows up even more clearly. (Cerny,257) This paper explores the message hidden in the ghost characters in Dickens'A Christmas Carol. There are an immense number of books about ghost both in Chinese and British literature. Ghost is an imaginary afterlife of human being; similarly novel is also a kind of fiction based on the real life. Therefore,when novels are used to shape the ghost images,there will be a powerful and unstrained space produced by the double-tier imagination. The ghost novels can also serve as a mirror of human society and speak of some problems in human life. So a better understanding of the ghost characters in literature can give us a deep insight into the society at the time when the story took place,as well as providing us a good chance of literature appreciation.Considering the role that the ghosts play in this novel,it should be called memory figures,developing Scrooge from a character wishing to shut out his past to one living in the past,the present,and the future. The first indication of his character can be derived from the remark that he takes "his melancholy dinner in his usual melancholy tavern" and then returns to his "gloomy suite of rooms ". The adjectives tell us that Scrooge should have a talent for remem?brance or rather a good memory. His humoral constitution predisposes him for it. The three ghosts,whose visitation Marley announced,each take Scrooge to places,to towns and buildings,the most traditional type of image in artificial memory. It is typical of these visits that Scrooge,like Vergil in Dante's Divine Comedy,becomes an invisible visitor,who enters the world of his past evoked by the memorial places. This immediate contact appears as a precondition for the reformative influence of the past on Scrooge. If we look back to an earlier Christmas story,which also preaches the change of heart,Dickens' new and specific frame of reference shows up even more clearly. (Cerny,257)
作者 张静
机构地区 天津科技大学
出处 《科技信息》 2010年第10期I0154-I0155,共2页 Science & Technology Information
关键词 外语教学 教学方法 研究 方法 ghost spirit revisit appreciation of the art effects
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  • 1《道与逻各斯》,冯川译,四川人民出版社,1998. 被引量:2
  • 2For English translation,see "Man and Language," in G-G Gadamer,Philosophical Hermeneutics,trans.David E.Linge (Berkeley:University of California Press,1976),p.60. 被引量:1
  • 3For the obstacles and criticisms the Interpreters' College faced in its brief history,see also Knight Biggerstaff,The Earliest Modern Government Schools in China (Ithaca:Cornell University Press,1961),pp.140-147. 被引量:1
  • 4W.A.P.Martin,A Cycle of Cathay,or China,South and North with Personal Reminiscences (Edinburgh:Oliphant Anderson and Ferrier,1896),p.295,p.296. 被引量:1
  • 5Robert Hart and China's Early Modernization:His Journals,1863-1866,eds.Richard J.Smith et al.(Cambridge,MA:Council on East Asian Studies,Harvard University,1991),p.292. 被引量:1
  • 6Hans-Georg Gadamer,"Mensch und Sprache," Hermeneutik Ⅱ:Wahrheit und Methode,in Gesammelte Werke,Band 2 (Tübingen:J.C.B.Mohr,1986),p.146. 被引量:1
  • 7For a full discussion,see Zhang Longxi,The Tao and the Logos:Literary Hermeneutics,East and West (Durham:Duke University Press,1992). 被引量:1
  • 8Harish Trivedi,"Panchadhatu:Teaching English Literature in the Indian Literary Context," in Colonial Transactions:English Literature and India (Calcutta:Papyrus,1993),p.229.p.20. 被引量:1
  • 9"Horizon," says Gadamer,"is the range of vision that includes everything that can be seen from a particular vantage point....Since Nietzsche and Husserl,the word has been used in philosophy to characterize the way in which thought is tied to its finite determinacy,and the way one's range of vision is gradually expanded." Hans-Georg Gadamer,Truth and Method,2^nd rev.ed.,English trans.revised by Joel Weinsheimer and Donald G.Marshall (New York:Crossroad,1989),p.302. 被引量:1
  • 10Simon Leys (Pierre Rychmans):"Sa connaissance de la littérature chinoise,du patrimoine occidental,de la littérature universelle,est prodigieuse.Qian Zhongshu n'a pas son pareil aujourd'hui en Chine et même dans le monde." Le Monde,June 10,1983. 被引量:1

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