摘要
王昌龄是一位有自觉理论追求的诗人。他的诗论《诗格》,是对其诗歌创作的理论反思与总结;他的诗歌、尤其是其七绝,是在诗论指导下的有明确审美追求的艺术佳作。王昌龄在诗歌情景理论发展史上首次提出了景、景语、意语、意句等崭新的概念,明确地提出了作品内情景相兼(融)的看法,以一种新的分析方法分析诗歌作品内部情景构成的比例,从而指导后学者的诗歌创作。王昌龄的诗歌,是在诗论思想指导下的有意识创作;王昌龄的诗论思想,是对其诗歌创作的理论总结。诗歌与诗论相互印证,从而共同构成了王昌龄文学成就的双璧。
As a poet with conscious pursuit of poem theory, WANG Chang-ling’s poems, especially his septasyllabic quatrains are art works composed under the guidance of his poem theory and aesthetic appreciation. Shi Ge summarizes WANG Chang-ling’s theory on poem composition. WANG Chang-ling achieves greatly in both poem composition and poem theory.
出处
《唐都学刊》
2010年第4期66-69,共4页
Tangdu Journal
关键词
十七势
七绝
诗论
情景兼融
septasyllabic quatrain
poem theory
feeling and setting happily blended
