摘要
本文站在新的历史高度,全面梳理了《三国演义》的成书过程,指出:在史传文学与通俗文艺这两大系统长期互相影响、互相渗透的双向建构的基础上,元末明初的伟大作家罗贯中,依据《三国志》(包括裴注)、《后汉书》提供的历史框架和大量史料,参照《资治通鉴》的编年体形式,对通俗文艺作品加以吸收改造,并充分发挥自己的艺术天才,终于写成雄视百代的《三国演义》,成为三国题材创作的集大成者和最高典范。在论述中,澄清了一些不准确乃至错误的认识。
This paper comprehensively reviews the writing process of Romance of Three Kingdoms in new historical perspective and throws light on some inaccurate or incorrect views. Luo Guanzhong was a great writer in the late Yuan Dynasty. Based on the integration of biographical literature and popular literature,he collected information from Chronicle of Three Kingdoms and Book of the Later Han,absorbed and adapted popular literature into the chronicle framework appeared in History as a Mirror,and created heroes and plots with his great artistic talents. When Romance of Three Kingdoms was finally completed,it was listed into masterpieces in its contemporary counterparts.
出处
《西华大学学报（哲学社会科学版）》
2010年第4期1-6,共6页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
《三国志》
《三国演义》
罗贯中
天才创造
Chronicle of Three Kingdoms
Romance of Three Kingdoms
Luo Guanzhong
great creation
