摘要
《创业史》中的梁三老汉、梁生宝哪一个是更成功的艺术形象问题,当年曾引起过不小的争论。随着1980年代批评话语的转型,当年的一些评价面临着新的检验,仍有较大的阐释空间。甚至象郭振山这样的被否定人物,都多了几分可理解性。梁三老汉、梁生宝、郭振山这三个在历史漩涡中沉浮的人物,实际构成了《创业史》文本的一种新的呈现方式。
Who is more successful as an art character, the Old - man Liang San or Liang Sheng - bao in the novel The History of Carving Out？ This question touched off great debate at that time. With the transition of critical theme in the 1980＇s, some comments of that time are facing new inspection. Therefore, there remains a quite big space for discussion. Even the negative character Guo Zhen - san should be evaluated again with a few more understandable factors. The three people that experienced ups and downs in history have in fact created a new picture for The History of Carving Out.
出处
《贵州大学学报（社会科学版）》
2010年第3期147-154,共8页
Journal of Guizhou University(Social Sciences)
基金
国家社科基金资助项目[编号:06BZW062]
关键词
“好人”
“两半论”
创业智慧
＂ good person＂
＂two - half theory＂
wisdom of creation
