摘要
"狐妖"是四十回《三遂平妖传》中最具特色的内容,它不仅使《平妖传》确立了神魔小说的性质,而且对于后世狐妖小说的创作也有一定的影响。为了探究狐妖故事在《平妖传》中的演变和发展,采用了文献梳理、比较、考证的研究方法,结论认为冯梦龙从《太平广记》中撷取了大量的素材以建构狐妖内容;"狐书"和"天狐"不仅使小说的人物与情节有了施设,而且更增添了幻怪色彩;胡永儿与左瘸儿的形象塑造在重现"阿紫原型"与"雄狐原型"的基础上也蕴含了明代民俗观念。《平妖传》狐妖故事的辑补揭示了早期神魔长篇小说创作所遵循的时代积累型创作模式。
In order to inquire into the fox story in ＂Kill Monster Biography＂ the evolution and the development,the literature was used to comb the comparison, the research technique and the conclusion thought of Feng - Menglong from ＂Tai Ping Guang Ji＂ to construct the fox content; not only ＂the fox book＂ and ＂the deity fox＂ causes the the character and the plot, and has increased the imaginary strange color; Hu Yonger and Zuo Quer＇s image mold re- product ＂A Zi prototype＂ and ＂male fox prototype＂ in the foundation has also contained the Ming Dynasty folk cus- tom idea. That ＂Kill Monster Biography＂ the fox story edited makes up has promulgated the time accumulation creation pattern which the early god evil spirit novel creation followed.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第4期111-115,共5页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
2009年国家社会科学基金青年项目(09CZW037)
关键词
三遂平妖传
狐妖
本事
Three Then kill Monster Biographies
the fox monster
original story
