摘要
少字数书法兴起于20世纪30年代后半期的日本"现代书法运动",并对中国产生很大影响,但是中国并未形成少字数书法的流派。这跟中国书法传统观念是有关的。少字数书法形式简洁,重笔墨表现,具有适时性。目前,其在创作内容、形式、形制、媒材及相应评价标准的建立等方面均有进一步发展的空间。
By reviewing the history of 'less-characters calligraphy'in Japan,following questions are discussed:the differences between the three concepts:'less-characters calligraphy','school of less-characters calligraphy'and 'calligraphy writing less characters',the reason why less-characters calligraphy did not form into a school and come into power in china,the meaning ofits existence,then comes to a conclusion that less-characters calligraphy is an outcome of the times,a form of expression which may have wide social influence and of significance in the distillation of the art.Meanwhile,related opinions on the less-characters calligraphy creative exploration will be dealt with as well.
出处
《艺术探索》
2010年第4期56-59,共4页
Arts Exploration
关键词
少字数书法
少字派
书法创作
less-characters calligraphy,school of less-characters calligraphy,calligraphic creation
