摘要
"十七年"戏曲改编呈现了"民间生活世界"的审美传统。在《秦香莲》和《四郎探母》等戏曲文本的改编过程中,民间文化在"阐释"的视野或"改编"的框架中支撑或生发出新的意识形态意义,同时依然拥有并遵循自身的价值内容和情感逻辑,实现了在"改戏"背景下突破意识形态的遮蔽并使自身具有审美表现力。
＂The Seventeen Years Period＂ opera adaptation presents an aesthetic tradition of ＂folk life world＂. In the course of text adaptation, such as Qin Xiang Lian, Si Lang Tan Mu, folk culture not only supports or generates new ideological sense in the perspective of ＂interpretation＂ or the frame of ＂adaptation＂, possessing and following the value and emotional logic of itself, but also breaks the shelter of ideology in the background of ＂adapting opera＂, and enriches itself with aesthetic power.
出处
《杭州师范大学学报（社会科学版）》
CSSCI
北大核心
2010年第4期103-106,共4页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
基金
安徽省教育厅人文社会科学研究项目"民间文化与‘十七年’安徽地方戏曲改编"(2010sk436)的阶段性成果
关键词
“十七年”
戏曲改编
民间生活世界
＂the Seventeen Years Period＂
opera adaptation
folk life world
