摘要
丝绸文化意象在南朝文论《文心雕龙》中广泛出现,涉及丝绸品种、丝绸加工技法和丝绸纹样等多方面。丝绸文化意象的运用,使刘勰的文论创作文彩斑斓,而刘勰深厚的丝绸情结亦可见一斑。
Image of silk culture widespreadly appeared in the southern literary theory, Wen-hsin Tiao-lung, involving varieties of silk, silk techniques, silk pattern and other aspects. Silk cultural images of Wen-hsin Tiao-lung created the charming literary grace, and Liu Xie＇profound feeling of silk also was evident.
出处
《丝绸》
CAS
北大核心
2010年第7期45-47,共3页
Journal of Silk
