摘要
《致阿丽娜》是爱沙尼亚作曲家阿沃.帕特(Prt Arvo)于1976年运用他的钟鸣作曲法"tintinnabuli"创作的第一首曲子。笔者通过对该作品及其1977年创作的其它三部作品《挽歌》、《兄弟》与《空白》关于音高,音色,节奏,速度等方面的分析,探讨钟鸣作曲法的基本原则与主要创作特征。
Fur Alina, the first piece of work using the technique of fintinnabuli, was composed by Estonian composer Part Arvo in 1976. Along with his three other works written next year, namely Cantus In Memoriam Benjamin Britten, Fratres and Tabula Rasa, symboled early tintinnabuli works, which, for the first time, presented the basic rules of fintinnabuli technique, and established the main characters of tinfinnabuli as rotation and controlled use of dissonance.
出处
《星海音乐学院学报》
CSSCI
2010年第2期31-40,共10页
Journal of Xinghai Conservatory of Music